Antoine Vitez’s Typical Vibe
2 films — slow-burn, wistful, moderate, layered, quiet

Highest-ranked title
Highest-ranked title
Antoine Vitez has 2 titles in the CriticCrunch catalog across a career spanning the 1960s through the 1970s. 1 ranks in the Top 10%, led by My Night at Maud's.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
Dir. Éric Rohmer · With Jean-Louis Trintignant, Françoise Fabian, Marie-Christine Barrault

In 1950s communist Czechoslovakia, a government minister, a war veteran long a loyal party man, leads a relatively comfortable life with his wife. However, he soon finds himself under surveillance, then under arrest. Unclear what his offense is, agents for the totalitarian regime interrogate and torture him, aiming to use their unending power to gain a false confession for these supposed crimes against the state.
Dir. Costa-Gavras · With Yves Montand, Simone Signoret, Gabriele Ferzetti