Bill Stewart’s Typical Vibe
2 films — gripping, dark, intense, layered, gritty

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Bill Stewart has 2 titles in the CriticCrunch catalog across a career spanning the 1980s through the 2000s.

16-year-old skinhead Trevor has no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. Social worker Harry Parker tries his best, but Trevor is only interested when there's something in it for him. The centre authorities try to conform Trevor to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.
Dir. Alan Clarke · With Tim Roth, Terry Richards, Bill Stewart

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
Dir. Agnieszka Holland · With Ed Harris, Diane Kruger, Matthew Goode