Edith González’s Typical Vibe
Signature vibe

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Edith González has 5 titles in the CriticCrunch catalog across a career spanning the 1990s through the 2010s.
Recurring themes

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.
Dir. Caridad Bravo Adams, Alberto Cortés, José Rendón · With Edith González, Eduardo Palomo, Ariel López Padilla

as Francisca Campos de Ponce de León
Valentina and Sebastián—known as "Los Camaleones"—are manipulated by "El Amo" into stealing artworks and valuable jewelry worth millions of dollars; if they fail to meet his demands, he wields enough power to kill their only loved ones, who are currently imprisoned because of Augusto Ponce de León. Ponce de León is the police chief—and Solange’s father—as well as a womanizer estranged from Francisca Campos; he is in charge of the "Camaleón" case, which he must solve to secure a political position and gain ever-increasing power.
Dir. Gustavo Barrios, Diana Segovia · With Belinda, Alfonso Herrera, Edith González

Doña Bárbara is a Spanish-language telenovela produced by the United States-based television network Telemundo, Sony Pictures Television International and RTI Colombia. Edith González and Christian Meier star in this adaptation of the 1929 novel by Venezuelan author Rómulo Gallegos.
Dir. Mauricio Cruz, Agustín Restrepo · With Genesis Rodriguez, Edith González, Christian Meier
Eight short stories of seduction and illicit encounters between lovers, filled with humor and eroticism, which use a circular structure located in the cosmopolitan atmosphere of a colonial city of Mexico.
Dir. Antonio Zavala Kugler · With Edith González, Christian Bach, Paola Nuñez
Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.
Dir. Ramón Ortiz Quiñones · With Edith González, Guy Ecker, María Rubio