Haruko Sugimura’s Typical Vibe
Signature vibe

Highest-ranked title
Highest-ranked title
Haruko Sugimura has 7 titles in the CriticCrunch catalog across a career spanning the 1940s through the 1960s. 4 rank in the Top 10%, led by Tokyo Story.
Recurring themes

Tokyo Story
1953 · Movie · Actor
Top 2%Max · Included

Late Spring
1949 · Movie · Actor
Top 5%Max · Included

Good Morning
1959 · Movie · Actor
Top 7%Max · Included

Early Summer
1951 · Movie · Actor
Top 9%Max · Included

Tokyo Twilight
1957 · Movie · Actor
Top 14%Max · Included

Floating Weeds
1959 · Movie · Actor
Top 18%Max · Included

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Dir. Yasujirō Ozu · With Chishū Ryū, Chieko Higashiyama, Setsuko Hara

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
Dir. Yasujirō Ozu · With Chishū Ryū, Setsuko Hara, Yumeji Tsukioka

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Dir. Yasujirō Ozu · With Keiji Sada, Yoshiko Kuga, Chishū Ryū

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.
Dir. Yasujirō Ozu · With Setsuko Hara, Chishū Ryū, Chikage Awashima

Two sisters learn about the existence of their long-lost biological mother, but the younger is unable to accept the fact that she was abandoned as a child.
Dir. Yasujirō Ozu · With Setsuko Hara, Ineko Arima, Chishū Ryū

A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.
Dir. Yasujirō Ozu · With Ganjirō Nakamura II, Machiko Kyō, Ayako Wakao

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
Dir. Yasujirō Ozu · With Setsuko Hara, Yōko Tsukasa, Michiyo Aratama
Top Collaborators
Directors with 2+ shared titles, ranked by frequency