Ingeborg Schöner has 3 titles in the CriticCrunch catalog across a career spanning the 1950s through the 2010s. 1 ranks in the Top 10%, led by Good Day, Ramon.
CriticCrunch Career Percentile
Top 9%
Titles Scored
3
Highest-Ranked Title
Good Day, Ramon (Top 9%)
Primary Role
Actor
Career Overview
By decade
Top 5%Top 6–25%Below 25%Unranked
Best Work
Top 24%
3 titles scored
By genre
Drama
2
Titles can span multiple genres.
the vibe
Ingeborg Schöner’s Typical Vibe
Signature vibe
measuredbittersweetmoderateapproachable
light-touch
personal
heartfelt
cozy
contemplative
Recurring themes
social injusticeeverymanstrangers forced togetherhistorical event
pacing
measured 4/9measured 4/9
tone
bittersweet 3/9wistful 3/9
intensity
moderate 5/9moderate 5/9
complexity
approachable 3/9clear 3/9
humor
light-touch 4/9light 4/9
scale
personal 3/9personal 3/9
spirit
heartfelt 5/9heartfelt 5/9
texture
cozycozy
CriticCrunch Signature Pacing
measured (mode across filmography)
CriticCrunch Signature Tone
bittersweet (mode across filmography)
CriticCrunch Signature Intensity
moderate (mode across filmography)
CriticCrunch Signature Complexity
approachable (mode across filmography)
CriticCrunch Signature Humor
light-touch (mode across filmography)
CriticCrunch Signature Scale
personal (mode across filmography)
CriticCrunch Signature Spirit
heartfelt (mode across filmography)
CriticCrunch Recurring Themes
social injustice, everyman, strangers forced together, historical event
After five failed attempts to go to the United States, 18-year-old Ramón decides to look for a friend’s aunt in Germany, but never finds her. With no papers or money, and without knowing the language, he barely survives living on the street until he meets Ruth, an old retired nurse who doesn’t speak Spanish. Beyond language barriers and prejudices, they discover that solidarity and humanity make life bearable.
Dir. Jorge Ramírez Suárez · With Kristyan Ferrer, Ingeborg Schöner, Rüdiger Evers
In 1700s Austria, a witch-hunter's apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
Dir. Michael Armstrong, Adrian Hoven · With Herbert Lom, Udo Kier, Olivera Katarina