Keiji Sada

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Dir. Yasujirō Ozu · With Chishū Ryū, Shima Iwashita, Keiji Sada

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Dir. Yasujirō Ozu · With Keiji Sada, Yoshiko Kuga, Chishū Ryū

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Dir. Yasujirō Ozu · With Setsuko Hara, Yōko Tsukasa, Mariko Okada

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

Dir. Yasujirō Ozu · With Shin Saburi, Kinuyo Tanaka, Ineko Arima