Manolo Caro has 3 titles in the CriticCrunch catalog across a career spanning the 2010s through the 2020s. 1 ranks in the Top 10%, led by The House of Flowers: The Movie.
CriticCrunch Career Percentile
Top 10%
Titles Scored
3
Highest-Ranked Title
The House of Flowers: The Movie (Top 10%)
Primary Role
Mixed
Career Overview
By decade
Top 5%Top 6–25%Below 25%Unranked
Best Work
Top 18%
3 titles scored
By genre
Drama
3
Titles can span multiple genres.
the vibe
Manolo Caro’s Typical Vibe
Signature vibe
briskbittersweetmoderateapproachable
funny
intimate
heartfelt
playful
stylized
Recurring themes
family dysfunctiondomestic homeslow-burn revealensembleromantic partners
pacing
brisk 5/9brisk 5/9
tone
bittersweet 3/9wistful 3/9
intensity
moderate 5/9moderate 5/9
complexity
approachable 5/9clear 5/9
humor
funny 5/9funny 5/9
scale
intimate 1/9intimate 1/9
spirit
heartfelt 5/9heartfelt 5/9
texture
playfulplayful
CriticCrunch Signature Pacing
brisk (mode across filmography)
CriticCrunch Signature Tone
bittersweet (mode across filmography)
CriticCrunch Signature Intensity
moderate (mode across filmography)
CriticCrunch Signature Complexity
approachable (mode across filmography)
CriticCrunch Signature Humor
funny (mode across filmography)
CriticCrunch Signature Scale
intimate (mode across filmography)
CriticCrunch Signature Spirit
heartfelt (mode across filmography)
CriticCrunch Recurring Themes
family dysfunction, domestic home, slow burn reveal, ensemble, romantic partners
A group of longtime friends get together for dinner. When they decide to share the content of every text message, email, and phone call they receive, secrets are unveiled and the balance is upset.
Dir. Manolo Caro · With Cecilia Suárez, Bruno Bichir, Mariana Treviño
