Reinout Bussemaker has 3 titles in the CriticCrunch catalog across a career spanning the 1980s through the 2020s. 2 rank in the Top 10%, led by Cool Kids Don't Cry.
CriticCrunch Career Percentile
Top 6%
Titles Scored
3
Highest-Ranked Title
Cool Kids Don't Cry (Top 6%)
Primary Role
Actor
Career Overview
By decade
Top 5%Top 6–25%Below 25%Unranked
Best Work
Top 7%
3 titles scored
By genre
Drama
2
Titles can span multiple genres.
the vibe
Reinout Bussemaker’s Typical Vibe
Signature vibe
measureddarkintenseapproachable
light-touch
personal
earnest
contemplative
cozy
Recurring themes
race against timeromantic partnerssmall townlate 20th century
pacing
measured 4/9measured 4/9
tone
dark 2/9dark 2/9
intensity
intense 7/9intense 7/9
complexity
approachable 5/9clear 5/9
humor
light-touch 3/9light 3/9
scale
personal 5/9personal 5/9
spirit
earnest 5/9earnest 5/9
texture
contemplativequiet
CriticCrunch Signature Pacing
measured (mode across filmography)
CriticCrunch Signature Tone
dark (mode across filmography)
CriticCrunch Signature Intensity
intense (mode across filmography)
CriticCrunch Signature Complexity
approachable (mode across filmography)
CriticCrunch Signature Humor
light-touch (mode across filmography)
CriticCrunch Signature Scale
personal (mode across filmography)
CriticCrunch Signature Spirit
earnest (mode across filmography)
CriticCrunch Recurring Themes
race against time, romantic partners, small town, late 20th century
Tough prime school girl Akkie loves soccer and can be a real bully. Love is the only thing she's scared of. When Akkie is diagnosed with leukemia, she has to fight for her life. On the verge of going to high school, Akkie has to allow love to enter her life, and thus gain courage to accept the inevitable.
Dir. Dennis Bots · With Hanna Obbeek, Nils Verkooijen, Fiona Livingston
Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?
Dir. Jasmila Žbanić · With Jasna Đuričić, Izudin Bajrović, Boris Ler
